Papers on "Fernand Leger" and similar term paper topics
Paper #106637 ::
Fernand Leger
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A discussion of the relationship between the human being and machine
in the paintings of Fernand Leger.
Written in 2004; 2,195 words; 10 sources; MLA;
$ 68.95
Paper Summary:
This paper examines how, as an artist, Fernand Leger focused on the relationship between the human being and the machines that manufactured objects in use in everyday life. In particular, the paper looks at how, in Leger's paintings, the machine is seen as a symbol and a praise of the modern life that man is living at the start of the twentieth century. The paper then looks at the way man himself is portrayed as a machine, that is, how he is an integral part of an exciting new mechanical environment. Ultimately, in exploring the Bergsonian notion of 'simultaneity,' the paper defines the machine as an account of the human experience in his mechanical environment.
From the Paper:
"The years after 1917 saw a steady flow of major masterpieces: various versions of his Elements Mecaniques, Les Disques of 1918, Les Disques dans la Ville, of 1920-21, the Tugboat series, and most notably La Ville of 1919 itself, the archetypal image of the modern metropolis that we mentioned earlier. Leger adapted to these paintings a composition which relied on a surface or ganised in terms of predominantly upright, vertical, (anthropomorphic?) areas. Mechanical, tubu lar forms often appear, like great shafts of metal. The jazz-like rhythms of the composition, the bright, raw colours, the vitality of the forms, all these features contribute towards the dynamism of the paintings, "so that we seem to share, palpably, in the painting's beat." Some areas also become cells in space, in which we glimpse the life of the city's inhabitants. "
Tags:
mechanical environment Salon d'Automne Partie de Cartes war
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