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Paper #012800 :: Sculptures of Buddha
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Compares two works from 8th Cent. & 11th Cent. & stylistic changes demonstrating Japanization of Buddhist art.

Written in 1997; 1,800 words; 7 sources; $ 63.95

From the Paper:

" A comparison of two sculptural representations of the Buddha from the early and the late Heian periods will demonstrate the stylistic changes that accompanied the increasing "japanization" of Buddhist art at this time. In 784 the Emperor decided to move the court from Nara, headquarters of the great Buddhist monasteries, in order to escape the political interference of the monks. The introduction of Esoteric or Shingon Buddhism in the late eighth century coincided with the decision to locate the court in Heian-Kyo (later Kyoto). Shingon Buddhism and Pure Land Buddhism became, respectively, the prevailing religious modes of the early Heian (sometimes called Jogan) period and late Heian (sometimes called Fujiwara) period. The effect of these strands of Buddhism on Japanese art are reflected in the two sculptures of the Buddha considered here."

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